Born in Perth, Scotland, in 1887, Scott showed artistic promise at an early age. He studied at some of Britain's most respected art institutions, including the Edinburgh School of Art and the Slade School of Fine Art in London. In recognition of his talent, he earned a prestigious scholarship to continue his training under renowned portrait painter George Harcourt.

Trading Ceremony at York Factory, 1780s, circa 1954, oil on canvas by Adam Sherriff Scott
In 1912, Scott immigrated to Canada, first settling in Manitoba before moving to Calgary. There, he was commissioned to paint large scenes of the Canadian West, introducing him to the landscapes and stories that would inspire much of his future work. In 1915, he moved to Montreal, a city he would call home for the remainder of his life.
Like many artists of his generation, Scott's career was interrupted by the First World War. He enlisted in the Canadian Expeditionary Force, serving overseas and rising from private to acting captain. Wounded in 1918, he returned to Canada the following year and resumed painting.
Back in Montreal, Scott became a member of the Beaver Hall Group, one of Canada's most important artistic movements of the early twentieth century. Operating out of a shared studio at 305 Beaver Hall Hill, they were highly progressive for their era. Unlike many exclusive art societies, they welcomed both male and female painters. While many Beaver Hall artists embraced modernism, Scott remained committed to a more traditional style, focusing on portraiture, historical subjects, and narrative painting.
Red River Carts Leaving Fort Garry, 1863, oil on canvas by Adam Sherriff Scott
One of the most remarkable chapters of his career came during the 1920s, when he spent several years in Canada's Arctic. Living alongside Inuit communities, Scott created paintings that documented daily life in the North at a time when few southern Canadians had firsthand knowledge of the region. These works remain among the most recognizable and important images of his career.
Scott's reputation grew steadily through commissions for portraits, murals, posters, and historical paintings. His research allowed him to recreate key moments from Canadian history with striking detail and authenticity. Many of these works appeared in books, calendars, and public spaces, making his art familiar to Canadians across the country.
Troops at Upper Fort Garry, 1846–48, oil on canvas by Adam Sherriff Scott
Beyond his own artistic practice, Scott was a dedicated teacher. In 1938, he founded the Adam Sherriff Scott School of Fine Art in Montreal, where he emphasized strong drawing skills and traditional craftsmanship. Over the years, he mentored numerous artists, including future Canadian painters such as Jack Bush and Armand Tatossian.
Scott was also a prolific muralist, creating large-scale works for institutions, hotels, clubs, and businesses across Canada. His murals decorated landmarks including the Hudson's Bay Company, Château Montebello, the Fairmont Manoir Richelieu, and Montreal's Masonic Temple. Later in life, he completed a series of murals depicting historic Montreal for the city's Board of Trade.
In 1942, Scott was elected a full member of the Royal Canadian Academy of Arts, recognizing his significant contributions to Canadian culture. He continued painting well into his later years and remained active as both an artist and educator.
When Adam Sherriff Scott died in 1980 at the age of 93, he left behind a remarkable visual record of Canada. His work depicting Arctic communities, Quebec villages, historical events, public murals and more, reflects a lifelong commitment to preserving Canadian stories through art. Today, his paintings can be found in major institutions across the country, including the National Gallery of Canada, the Montreal Museum of Fine Arts, the Musée national des beaux-arts du Québec, and the Canadian War Museum.
S.S. Beaver off Fort Victoria, 1846, oil on canvas by Adam Sherriff Scott
Works Cited
Harper, J. Russell. *Painting in Canada: A History*. 3rd ed., University of Toronto Press, 1981.
Murray, Joan. *The Group of Seven: Art for a Nation*. McClelland & Stewart, 1995.
National Gallery of Canada. "Adam Sheriff Scott." National Gallery of Canada.
The Canadian Encyclopedia. Adam Sheriff Scott. Historica Canada,