Artist Spotlight: Emily Carr

July 16, 2025

File:Emily Carr (1931–32) Forest, British Columbia.jpg - Wikimedia Commons

Forest, British Columbia by Emily Carr
 
Early Life and Education

Emily Carr was born in Victoria, British Columbia. After early training at the California School of Design in San Francisco, she studied in England at the Westminster School of Art and later in France, where she encountered Post-Impressionism. These experiences exposed her to modern artistic movements, which would later influence her work in Canada.

 

Emily Carr’s Artistic Celebration of the First Nations

Skedans, 1912 by Emily Carr

 

West Coast Indigenous Subjects

Between 1907 and 1913, Carr traveled along the coast of British Columbia, visiting Indigenous villages and recording totem poles, architecture, and village scenes in her sketches and paintings. Unlike many artists of her era, Carr approached these subjects with a documentary mindset, seeking to preserve a record of cultures and traditions she saw disappearing.

 

Carr House - Emily Carr Art Cards (6x9)

War Canoes, Alert Bay, 1912 by Emily Carr

 

Connection with the Group of Seven

Although not an official member, Emily Carr maintained a strong professional relationship with the Group of Seven, particularly with Lawren Harris, who became a key mentor and supporter. Like the Group, Carr shared a love in portraying the Canadian landscape with a modern, expressive style. Harris encouraged her work and affirmed her place among the Group of Seven, famously telling her, “You are one of us.” With his support, Carr exhibited as an invited contributor in the Group of Seven’s 1930 and 1931 exhibitions.

 

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Cordova Drift, 1931 by Emily Carr

 

Later Career and Writing

In the 1930s and 1940s, Carr concentrated on forest scenes, developing a style that simplified forms and emphasized movement and light. She also became known for her writing; her 1941 book Klee Wyck won the Governor General’s Award. Both her paintings and writing reflected a love for nature in the West Coast.

 

Emily Carr's paintings: Sculptural form 1931-1936 – The Eclectic Light  Company

Big Raven, 1931 by Emily Carr
 
Legacy

Today, Emily Carr is considered a central figure in Canadian art history. Her works are held in major collections, including the Vancouver Art Gallery and the National Gallery of Canada. She is also the namesake of the Emily Carr University of Art + Design in Vancouver. Her paintings continue to be highly sought after by collectors of Canadian historical art.

 

Emily Carr, Haida Totem, 1928 | Artworks | Alan Klinkhoff Gallery | Art  Dealers & Appraisers

Haida Totem, 1928 by Emily Carr

 

Consignment Opportunities
At Rookleys Canadian Art, we are actively seeking works by Emily Carr for consignment, offering premium commissions far below what auction houses charge. If you have a Carr painting to consign, please contact us at info@rookleys.com to discuss these opportunities further.

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Grace Jackson

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