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Lorne Bouchard
Canadian, 1913-1978

Lorne Bouchard Canadian, 1913-1978

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Open a larger version of the following image in a popup: Lorne Bouchard, St Louis Gate, Quebec City, c 1960
Open a larger version of the following image in a popup: Lorne Bouchard, St Louis Gate, Quebec City, c 1960
Open a larger version of the following image in a popup: Lorne Bouchard, St Louis Gate, Quebec City, c 1960

Lorne Bouchard Canadian, 1913-1978

St Louis Gate, Quebec City, c 1960
sepia on paper
protected by museum glass
13 x 9.25 in
signed lower right
CAD 495.00
Lorne Bouchard, St Louis Gate, Quebec City, c 1960
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Lorne Bouchard, St Louis Gate, Quebec City, c 1960
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Further images

  • (View a larger image of thumbnail 1 ) Lorne Bouchard, St Louis Gate, Quebec City, c 1960
  • (View a larger image of thumbnail 2 ) Lorne Bouchard, St Louis Gate, Quebec City, c 1960
  • (View a larger image of thumbnail 3 ) Lorne Bouchard, St Louis Gate, Quebec City, c 1960
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Lorne Bouchard’s St. Louis Gate, Quebec City is a lively sepia ink and wash drawing of one of Quebec City’s most recognizable historic landmarks. The composition looks down the street...
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Lorne Bouchard’s St. Louis Gate, Quebec City is a lively sepia ink and wash drawing of one of Quebec City’s most recognizable historic landmarks. The composition looks down the street toward the arched gateway, with its towers, steep rooflines and masonry walls suggested through quick, economical lines. Bouchard gives the architecture enough detail to identify the scene clearly, while leaving much of the paper open, creating a bright, airy impression.


The drawing is animated by small figures moving through the street and beneath the arch. A darkly dressed figure in the lower right provides a strong foreground accent, balancing the lighter architectural forms behind. Bare trees rise along the right side of the composition, their sweeping branches echoing the curve of the gate and adding movement to the scene.


The work has the immediacy of an on-the-spot sketch, but also a strong sense of design. Bouchard’s selective use of darker wash, especially in the foreground figure, windows and archway, gives depth and contrast to an otherwise delicate view of Old Quebec.

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Provenance

- private collection, Niagara
- Ferrante Framing, St. Catharines
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