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Lorne Bouchard
Canadian, 1913-1978

Lorne Bouchard Canadian, 1913-1978

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Open a larger version of the following image in a popup: Lorne Bouchard, First Snow - Old Chapel and Church, Île-Perrot, 1976
Open a larger version of the following image in a popup: Lorne Bouchard, First Snow - Old Chapel and Church, Île-Perrot, 1976
Open a larger version of the following image in a popup: Lorne Bouchard, First Snow - Old Chapel and Church, Île-Perrot, 1976

Lorne Bouchard Canadian, 1913-1978

First Snow - Old Chapel and Church, Île-Perrot, 1976
oil on board
14 x 17 in
signed bottom left
CAD 2,250.00
Lorne Bouchard, First Snow - Old Chapel and Church, Île-Perrot, 1976
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Lorne Bouchard, First Snow - Old Chapel and Church, Île-Perrot, 1976
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Further images

  • (View a larger image of thumbnail 1 ) Lorne Bouchard, Haze, Lac Simon, Laurentians, 1968
  • (View a larger image of thumbnail 2 ) Lorne Bouchard, Haze, Lac Simon, Laurentians, 1968
  • (View a larger image of thumbnail 3 ) Lorne Bouchard, Haze, Lac Simon, Laurentians, 1968
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Lorne Bouchard, First Snow – Old Chapel and Church This winter village scene captures the quiet stillness of the season’s first snowfall. Lorne Bouchard depicts a modest stone chapel with...
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Lorne Bouchard, First Snow – Old Chapel and Church


This winter village scene captures the quiet stillness of the season’s first snowfall. Lorne Bouchard depicts a modest stone chapel with a steep, weathered roof, its small bell tower rising gently against a pale, wintry sky. To the right, a taller church structure anchors the composition, its vertical form contrasting with the low, horizontal sweep of snow-covered ground in the foreground.



Bare trees frame the buildings, their thin branches etched lightly against the sky, suggesting late autumn or early winter. The palette is restrained—soft greys, muted creams, warm browns, and touches of cool blue—allowing subtle shifts in tone and texture to carry the mood. Loose, confident brushstrokes describe snow, stone, and wood without excessive detail, giving the scene a sense of immediacy and calm.



The curving track in the snow leads the eye into the composition, reinforcing the sense of quiet passage and human presence without figures. Overall, the painting conveys a gentle, contemplative atmosphere, celebrating rural architecture and the hush that accompanies the first snow of the season.

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Provenance

- signed, titled and dated October 26, 1976 on reverse
- Walter Klinkhoff Gallery, Montreal
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