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Peter Cheung
Chinese / Canadian, b. July 19, 1952

Peter Cheung Chinese / Canadian, b. July 19, 1952

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Open a larger version of the following image in a popup: Peter Cheung, Thundering Strides, 2026
Open a larger version of the following image in a popup: Peter Cheung, Thundering Strides, 2026

Peter Cheung Chinese / Canadian, b. July 19, 1952

Thundering Strides, 2026
oil on canvas
36 x 48 in
signed bottom right
CAD 4,000.00
Peter Cheung, Thundering Strides, 2026
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Peter Cheung, Thundering Strides, 2026
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Further images

  • (View a larger image of thumbnail 1 ) Peter Cheung, In the Deep North, 2023
  • (View a larger image of thumbnail 2 ) Peter Cheung, In the Deep North, 2023
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Peter Cheung’s Thundering Strides is a dynamic horse-racing painting viewed from above, capturing a tightly grouped field of racehorses and jockeys charging across a golden track. The elevated perspective gives...
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Peter Cheung’s Thundering Strides is a dynamic horse-racing painting viewed from above, capturing a tightly grouped field of racehorses and jockeys charging across a golden track. The elevated perspective gives the scene a strong sense of speed and compression, as the horses appear to surge diagonally through the composition, their shadows stretching behind them like dark ribbons.



Cheung uses loose, expressive brushwork to suggest motion rather than precise detail. The horses are built from quick passages of black, brown, white and blue-black paint, while the jockeys’ silks, in red, pink, blue and pale turquoise, provide bright accents against the warm ochre ground. Dust and kicked-up track material trail behind the horses, reinforcing the sense of momentum and physical force.



The painting is especially effective because of its abstraction. The golden background is not heavily described as a racetrack, yet the angled strokes, long shadows and blurred hooves make the action immediately readable. Cheung focuses on the energy of the race: the pounding rhythm, the closeness of the competition and the fleeting instant when the horses are still bunched together before the final break.

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Provenance

- direct from artist
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