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Frederick B. Taylor
Canadian, 1906-1987

Frederick B. Taylor Canadian, 1906-1987

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Open a larger version of the following image in a popup: Frederick B. Taylor, The Bull Ring, Mijas (Malaga, Spain), 1963
Open a larger version of the following image in a popup: Frederick B. Taylor, The Bull Ring, Mijas (Malaga, Spain), 1963
Open a larger version of the following image in a popup: Frederick B. Taylor, The Bull Ring, Mijas (Malaga, Spain), 1963

Frederick B. Taylor Canadian, 1906-1987

The Bull Ring, Mijas (Malaga, Spain), 1963
oil on board
5.5 x 8 in
signed bottom right
CAD 950.00
Frederick B. Taylor, The Bull Ring, Mijas (Malaga, Spain), 1963
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Frederick B. Taylor, The Bull Ring, Mijas (Malaga, Spain), 1963
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Further images

  • (View a larger image of thumbnail 1 ) Frederick B. Taylor, The Bull Ring, Mijas (Malaga, Spain), 1963
  • (View a larger image of thumbnail 2 ) Frederick B. Taylor, The Bull Ring, Mijas (Malaga, Spain), 1963
  • (View a larger image of thumbnail 3 ) Frederick B. Taylor, The Bull Ring, Mijas (Malaga, Spain), 1963
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The painting 'The Bull Ring, Mijas (Malaga, Spain)' by Frederick B. Taylor captures a serene yet potent moment at a Spanish bullring. The dominant structure of the bullring stands out...
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The painting "The Bull Ring, Mijas (Malaga, Spain)" by Frederick B. Taylor captures a serene yet potent moment at a Spanish bullring. The dominant structure of the bullring stands out with its whitewashed walls bearing the sign "PLAZA DE TOROS," indicating its purpose. These walls reflect the bright sunlight, creating a stark contrast with the rich blue sky above.

The foreground is a scene of subtle yet rich narrative. A central figure, potentially a matador, is accompanied by two others, moving towards the bullring's entrance. Their elongated shadows suggest the time of day might be when the sun is low in the sky. To the right, another figure, clothed in a traditional and vividly colored attire, moves away from the bullring, adding a layer of story — perhaps one of conclusion or anticipation.

The artwork is characterized by Taylor's expressive brushwork, visible in the textural contrast on the various surfaces within the scene. The painting conveys a tranquil atmosphere, a quiet before the expected excitement and drama of a bullfight. It invites viewers to reflect on the cultural significance of this moment, frozen in time, before the dynamic and often contentious event begins.

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Provenance

- signed, titled and dated on reverse
- artist inventory #18-49
- Galerie Martin, Montreal
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