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Open a larger version of the following image in a popup: Patricia Promaine, Country Scene, c 1990
Open a larger version of the following image in a popup: Patricia Promaine, Country Scene, c 1990
Open a larger version of the following image in a popup: Patricia Promaine, Country Scene, c 1990

Patricia Promaine Canadian, 1918-2012

Country Scene, c 1990
acrylic on artist board
17.5 x 23.5 in
signed bottom right
CAD 8,000.00
Patricia Promaine, Country Scene, c 1990
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Patricia Promaine, Country Scene, c 1990
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Patricia Promaine’s Country Scene is a bright, detailed acrylic folk painting of Amish or Mennonite rural life in southern Ontario. The scene is arranged like a small countryside village, with...
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Patricia Promaine’s Country Scene is a bright, detailed acrylic folk painting of Amish or Mennonite rural life in southern Ontario. The scene is arranged like a small countryside village, with white clapboard farmhouses, red barns, black-roofed outbuildings, fenced pastures, cattle, horses, chickens and a horse-drawn buggy all woven together across rolling green hills.



Promaine fills the painting with everyday narrative details. At the lower centre, a sign reads “Quilts for Sale / No Sun Sales,” with colourful quilts displayed along the white fence. Nearby, two women stand beside the road as a black buggy passes, while chickens scatter in front of it. A farmer carries pails along a path, cows graze beside the red barn, and small figures appear throughout the farmyards, porches and garden areas.



The painting has a strong spring or early-summer feeling, suggested by the fresh green fields, flowering shrubs, full trees, clear sky and open roads. Promaine uses a raised viewpoint, allowing the viewer to see several farms at once, almost as though looking into a remembered rural world. The houses and barns are carefully separated by winding lanes and white fences, creating a lively sense of community rather than a single isolated farm.



Like much of Patricia Promaine’s work, Country Scene is charming because of its storytelling quality. The painting is not just a landscape; it is a portrait of rural social life, with quilts, buggies, farm work, animals and neighbours all contributing to a nostalgic but observant image of Amish and Mennonite country life.

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