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Open a larger version of the following image in a popup: John Angus Palmer, Swamp North of Huntsville, 1970
Open a larger version of the following image in a popup: John Angus Palmer, Swamp North of Huntsville, 1970
Open a larger version of the following image in a popup: John Angus Palmer, Swamp North of Huntsville, 1970

John Angus Palmer Canadian, 1926-1984

Swamp North of Huntsville, 1970
oil on board
10 x 12 in
signed bottom right

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The painting Swamp North of Huntsville by John Angus Palmer is a rich, textural representation of a northern landscape, capturing the raw essence of the wilderness. At the forefront, a...
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The painting Swamp North of Huntsville by John Angus Palmer is a rich, textural representation of a northern landscape, capturing the raw essence of the wilderness. At the forefront, a cluster of bare, leafless trees stand as silent sentinels, their branches reaching skyward and intersecting in a complex network of lines. These skeletal trees, stripped of their foliage, reveal the cycles of life and decay within nature. They frame a view of a tranquil swamp area, its water reflecting the bright slivers of light and shadow cast by the changing sky above.


The background is a tapestry of vibrant greens and yellows, indicating the presence of lush foliage and perhaps the onset of autumn. The distant tree line provides a sharp contrast to the starkness of the barren trees in the foreground. The sky, painted in broad strokes of blue, white, and grey, adds a dynamic and somewhat tumultuous energy to the scene, suggesting the fleeting nature of weather and light in such environments.


Palmer's application of paint is both deliberate and expressive, with thick impasto techniques giving the landscape a tactile quality. The viewer can almost feel the crisp air and the rough textures of the bark and the damp marshland underfoot. This painting is not just a visual experience but an evocative journey into the heart of the wild, where stillness and movement, life and dormancy, coexist in a delicate balance.

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Provenance

- signed, titled and dated on reverse- painted for Ewart and Joan Chartres, Apr. 1970
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