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Open a larger version of the following image in a popup: Frederick Stanley Haines, The Uphill Climb, c 1940
Open a larger version of the following image in a popup: Frederick Stanley Haines, The Uphill Climb, c 1940
Open a larger version of the following image in a popup: Frederick Stanley Haines, The Uphill Climb, c 1940

Frederick Stanley Haines Canadian, 1879-1960

The Uphill Climb, c 1940
oil on board
16 x 20 in
signed bottom right
CAD 3,200.00
Frederick Stanley Haines, The Uphill Climb, c 1940
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Frederick Stanley Haines, The Uphill Climb, c 1940
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The painting The Uphill Climb by Frederick Stanley Haines, painted circa 1940, presents a tranquil winter scene set in a rural landscape. In the center of the composition, there's a...
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The painting The Uphill Climb by Frederick Stanley Haines, painted circa 1940, presents a tranquil winter scene set in a rural landscape. In the center of the composition, there's a horse-drawn sleigh making its way up a snow-covered hill, which suggests the title's uphill climb. The sleigh is small in scale compared to the expanse of the scene, highlighting the vastness of the environment and perhaps the effort of the journey.

Clustered in the middle distance are several buildings, likely farms, with red and brown exteriors that provide a warm contrast to the cool whites and blues of the snow and sky. Smoke billows from one chimney, indicating warmth and habitation despite the cold season. The foreground is dominated by the hill, with the sleigh tracks leading the viewer's eye towards the farms.


Bare trees frame the scene, their intricate branches etched against the overcast sky, and evergreens punctuate the landscape, adding a touch of color and life to the otherwise dormant setting. The distant hills roll softly into the background, shrouded in shades of blue and grey, contributing to a sense of depth and the quiet mood of a winter's day.


Haines has captured the chill of the Canadian winter with a muted palette, but also hints at the resilience and daily life that continues in such a setting. The painting is rich in texture, from the brushstrokes that depict the snow to the detailed rendering of the trees and buildings, all contributing to a vivid sense of place and time.

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Provenance

- numbered 139 on reverse
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