William Brymner Scottish-Canadian, 1855-1925
Sydney, C.B., 1909
watercolour on paper
museum glass
museum glass
4.3 x 7.5 in
signed and dated July 24th, 1909 on lower left
Further images
William Brymner’s Sydney, C.B., 1909 is a captivating watercolour on paper that elegantly captures a moment in time in Sydney, Cape Breton, Nova Scotia. Measuring 4.3 x 7.5 inches and...
William Brymner’s Sydney, C.B., 1909 is a captivating watercolour on paper that elegantly captures a moment in time in Sydney, Cape Breton, Nova Scotia. Measuring 4.3 x 7.5 inches and protected by museum glass, this delicate work is signed and dated by the artist on July 24th, 1909, on the lower left. Brymner’s masterful use of watercolour brings a unique sense of lightness and fluidity to the piece, making it a fine example of his skill and artistic vision.
The painting depicts a serene coastal scene, characteristic of Brymner’s keen eye for natural beauty and atmospheric effects. The gentle washes of colour create a soft, almost ethereal quality, with subtle transitions between land, sea, and sky. The use of muted tones suggests a calm, perhaps overcast day, where the light is diffused, lending a tranquil ambiance to the scene.
In the foreground, subtle hints of the shoreline can be discerned, with brushstrokes that suggest grassy patches and rocky outcrops. The water, rendered with smooth, fluid strokes, reflects the soft colours of the sky, creating a harmonious and cohesive composition. The distant landmass, depicted with delicate detail, anchors the painting and provides a sense of depth and perspective.
Sydney, C.B., 190 is a testament to William Brymner’s ability to convey the quiet beauty of coastal landscapes through his adept handling of watercolour. This piece invites viewers to immerse themselves in the serene and contemplative mood of the scene, appreciating the subtle interplay of light, colour, and texture that Brymner so masterfully achieves.
The painting depicts a serene coastal scene, characteristic of Brymner’s keen eye for natural beauty and atmospheric effects. The gentle washes of colour create a soft, almost ethereal quality, with subtle transitions between land, sea, and sky. The use of muted tones suggests a calm, perhaps overcast day, where the light is diffused, lending a tranquil ambiance to the scene.
In the foreground, subtle hints of the shoreline can be discerned, with brushstrokes that suggest grassy patches and rocky outcrops. The water, rendered with smooth, fluid strokes, reflects the soft colours of the sky, creating a harmonious and cohesive composition. The distant landmass, depicted with delicate detail, anchors the painting and provides a sense of depth and perspective.
Sydney, C.B., 190 is a testament to William Brymner’s ability to convey the quiet beauty of coastal landscapes through his adept handling of watercolour. This piece invites viewers to immerse themselves in the serene and contemplative mood of the scene, appreciating the subtle interplay of light, colour, and texture that Brymner so masterfully achieves.