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Open a larger version of the following image in a popup: Frederick B. Taylor, Shipyard, Manzanillo Jal., Mexico, 1965
Open a larger version of the following image in a popup: Frederick B. Taylor, Shipyard, Manzanillo Jal., Mexico, 1965
Open a larger version of the following image in a popup: Frederick B. Taylor, Shipyard, Manzanillo Jal., Mexico, 1965

Frederick B. Taylor Canadian, 1906-1987

Shipyard, Manzanillo Jal., Mexico, 1965
oil on masonite
16 x 20 in
signed bottom right
CAD 750.00
Frederick B. Taylor, Shipyard, Manzanillo Jal., Mexico, 1965
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Frederick B. Taylor, Shipyard, Manzanillo Jal., Mexico, 1965
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Frederick Bourchier Taylor’s Shipyard, Manzanillo, Jal., Mexico depicts a small working boatyard on the Pacific coast of Mexico, with fishing boats and skiffs drawn up along the shore beneath the...
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Frederick Bourchier Taylor’s Shipyard, Manzanillo, Jal., Mexico depicts a small working boatyard on the Pacific coast of Mexico, with fishing boats and skiffs drawn up along the shore beneath the steep green hills surrounding Manzanillo. Taylor concentrates on the practical character of the harbour, filling the foreground with overlapping hulls, masts, timbers and the skeletal framework of a vessel under construction or repair.



The composition is built around the contrast between the angular geometry of the boats and shipyard structures and the broad, rounded mass of the mountain rising behind them. Pale creams, weathered whites and muted greens give the boats a sun-bleached appearance, while dark browns, purples and deep forest greens provide structure and shadow. A hazy blue sky and glimpses of turquoise water introduce a cooler note and suggest the intense coastal light.



Rather than presenting Manzanillo as a picturesque resort, Taylor records it as a working maritime community. The exposed ribs of the large vessel, scattered boats and upright poles give the scene an appealing sense of activity without the presence of figures. His simplified forms and strong contours lend the painting a distinctly modern character, while the monumental hill in the background firmly anchors the scene in the tropical landscape of western Mexico.

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Provenance

- titled and dated with Taylor Inventory #18-80 on reverse
- Waddington's, Toronto
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