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Open a larger version of the following image in a popup: Frank Armington, Church Yard, 1904
Open a larger version of the following image in a popup: Frank Armington, Church Yard, 1904
Open a larger version of the following image in a popup: Frank Armington, Church Yard, 1904

Frank Armington Canadian, 1876-1941

Church Yard, 1904
oil on panel
13 x 14 in
signed and dated bottom left
CAD 2,499.00
Frank Armington, Church Yard, 1904
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Frank Armington, Church Yard, 1904
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'Church Yard' by Frank Armington, created in 1904, is a painting that captures a serene and quaint churchyard scene. Armington, an American-born artist who spent a significant part of his...
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"Church Yard" by Frank Armington, created in 1904, is a painting that captures a serene and quaint churchyard scene. Armington, an American-born artist who spent a significant part of his career in France, was known for his etchings and paintings that often depicted European street scenes and landscapes.

In this painting, the artist has depicted a church building surrounded by lush greenery. The church, with its Gothic architectural elements such as pointed arches and a steeply pitched roof, is partially obscured by the vibrant foliage of the trees in full leaf, suggesting the season might be spring or summer.

The painting is filled with light and shade, with the sunlight filtering through the leaves and casting dappled shadows on the grass. This interplay of light creates a dynamic and inviting atmosphere, drawing the viewer into the tranquility of the churchyard. The use of bright greens and soft earth tones gives the painting a sense of freshness and vitality.

Armington's brushwork is visible in the texture of the leaves and the architecture, giving a sense of the handcrafted nature of the work. The sky is painted in gentle blues and whites, offering a backdrop that contrasts with the greenery and the brick of the church.

The work conveys a sense of peace and stillness, inviting contemplation. It reflects the beauty of the everyday and the harmony between architecture and nature. The churchyard, a place of rest and reflection, is rendered with a sense of care and reverence, which was typical of Armington's approach to his subjects.

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Provenance

- Maynard's, Vancouver
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