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Open a larger version of the following image in a popup: Alan Collier, Quiet Cove, Glovertown, NL, 1977
Open a larger version of the following image in a popup: Alan Collier, Quiet Cove, Glovertown, NL, 1977
Open a larger version of the following image in a popup: Alan Collier, Quiet Cove, Glovertown, NL, 1977

Alan Collier Canadian, 1911-1990

Quiet Cove, Glovertown, NL, 1977
oil on masonite
16 x 20 in
signed bottom right
CAD 4,800.00
Alan Collier, Quiet Cove, Glovertown, NL, 1977
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Alan Collier, Quiet Cove, Glovertown, NL, 1977
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Alan Collier’s Quiet Cove, Glovertown, NL, 1977 is a captivating oil on masonite that beautifully encapsulates the serene charm of a Newfoundland coastal village. This artwork, measuring 16 x 20...
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Alan Collier’s Quiet Cove, Glovertown, NL, 1977 is a captivating oil on masonite that beautifully encapsulates the serene charm of a Newfoundland coastal village. This artwork, measuring 16 x 20 inches and signed on the bottom right, reflects Collier’s masterful ability to render tranquil maritime scenes with his distinctive style.

In this painting, Collier portrays a peaceful cove where several fishing boats are moored in the calm blue waters. The boats, primarily white with touches of red and brown, stand out against the soft hues of the water, creating a striking yet harmonious visual effect. The composition is balanced by the depiction of a small, quaint building on the shoreline, with two smaller boats resting on the grassy land beside it.

The background features gently sloping hills and a patchwork of earthy tones, enhancing the idyllic and rustic atmosphere of the scene. Collier’s brushwork is meticulous, with careful attention to the interplay of light and shadow on the boats and water, adding depth and dimension to the composition.

Quiet Cove, Glovertown, NL, 1977 showcases Collier’s adeptness at capturing the essence of coastal life, evoking a sense of stillness and simplicity that invites viewers to immerse themselves in the tranquil beauty of Newfoundland’s landscape. This piece is a testament to Collier's skill in conveying the quiet elegance of everyday moments in nature.
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Provenance

- Collier Inventory #G148-123
- Roberts Gallery, Toronto
- painted January, 1977

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