"People don't live at the front of their houses. The back lanes are more interesting than the front. That's where the clotheslines are, the lean-tos, the garbage cans and broken fences."
John Kasyn
John Kasyn; Stucco Lean-to on River Street, 1969
Kasyn's unique focus on Toronto's often-overlooked back lanes distinguished his work in the Canadian art scene. He viewed these lanes as repositories of rich historical and cultural material, capturing intimate glimpses into the lives of city residents with details like clotheslines and garbage cans. His meticulous attention to detail and dedication to portraying the essence of Toronto earned him widespread recognition, including the prestigious Gold Medal at the Annual Exhibition of the Canadian Society of Painters in Watercolour in 1966.
John Kasyn; Winter Clouds Over Baldwin Street, 1975
An active member of the Ontario Society of Artists (O.S.A.) and the C.S.P.W.C., Kasyn exhibited regularly with both groups. His artwork is displayed in major galleries across Canada and is part of important collections at institutions such as the Montreal Museum of Fine Arts and the Art Gallery of Ontario.
Kasyn was represented by notable galleries including the Mazelow Gallery in Toronto, Wallack Galleries in Ottawa, De Vooght Galleries in Vancouver, and Galerie Walter Klinkhoff in Montreal. Many of the homes and scenes featured in his paintings have since been lost to urban development, making his works invaluable records of Toronto’s historical landscape.
John Kasyn; Off Church Street, 1980
Today, John Kasyn’s paintings are cherished in private and corporate collections across North America. His legacy as a key figure in documenting and preserving Canadian heritage through art continues to inspire new generations, making his works enduring cultural time capsules that celebrate his beloved city of Toronto.