Works
  • Henry Glyde, Arbutus Tree, 1968
    Arbutus Tree, 1968CAD 6,200.00
    Henry Glyde, Arbutus Tree, 1968
    CAD 6,200.00
  • Henry Glyde, Old Barns, Ditchling, Sussex, 1975
    Old Barns, Ditchling, Sussex, 1975CAD 2,800.00
    Henry Glyde, Old Barns, Ditchling, Sussex, 1975
    CAD 2,800.00
  • Henry Glyde, Old Houses, Fulking, 1975
    Old Houses, Fulking, 1975CAD 2,800.00
    Henry Glyde, Old Houses, Fulking, 1975
    CAD 2,800.00
  • Henry Glyde, Small Island off James Point, North Pender Island, BC, c 1962
    Small Island off James Point, North Pender Island, BC, c 1962CAD 3,900.00
    Henry Glyde, Small Island off James Point, North Pender Island, BC, c 1962
    CAD 3,900.00
  • Henry Glyde, Low Tide, c 1980
    Low Tide, c 1980CAD 1,200.00
    Henry Glyde, Low Tide, c 1980
    CAD 1,200.00
Biography
Henry George Glyde, a central figure in the evolution of art within Alberta, left an indelible mark on the cultural fabric of Calgary, Banff, and Edmonton. His career, blossoming from 1935, spanned over three decades and is characterized by his pioneering contributions to art education, community engagement, and the visual documentation of Western Canada's essence.


 

 

Early Life and Artistic Foundations

Birth and Early Training: Born in 1906 in Luton, Bedfordshire, England, Glyde's artistic journey began at the Brassey Institute in Hastings. It was here that he formed a lifelong association with Alfred Leighton. Glyde further honed his skills at the Royal College of Art in London, from where he graduated in 1930.

 

 

 

Journey to Canada and Educational Impact

A New Chapter in Canada: Invited by Alfred Leighton in 1935, Glyde moved to Canada, joining the Provincial Institute of Technology and Art in Calgary as a drawing instructor. This marked the beginning of Glyde's significant impact on art education in Alberta.

 

Community Art Education: Between 1936 and 1945, Glyde, alongside notable artists like Walter J. Phillips, introduced community art courses across Alberta. These initiatives broadened the reach of art education, nurturing local talent in rural communities.

 

Henry Glyde; Small Island off James Point, BC 2

Henry Glyde; Small Island off James Point, BC 

 

Teaching at the Banff School of Fine Art: From 1936 until 1967, Glyde dedicated himself to teaching at the Banff School of Fine Arts, further cementing his role as an educator and mentor to generations of artists.

 

Artistic Endeavours and Recognition

The Alaska Highway Documentation: In 1943, Glyde, alongside A.Y. Jackson, was commissioned by the National Gallery to document the Alaska Highway's construction, enriching his portfolio with this historic project.

 

Leadership and Advancement: Succeeding Alfred Leighton in 1945 as president of the Alberta Society of Artists, Glyde's leadership roles expanded. By 1946, he established and led the Art Department at the University of Alberta, significantly influencing the province's artistic landscape.

 

Acknowledgments: Glyde's contributions were recognized with his election to the Royal Canadian Academy in 1949 and a senior fellowship from the Canada Council for the Arts in 1958.

 

Henry Glyde; Low Tide 

 

Legacy and Final Years

Retirement and Honors: Glyde retired to Pender Island in 1966, continuing his artistic pursuits. In 1982, the University of Alberta awarded him an honorary doctorate, acknowledging his vast contributions to art and education.

 

Passing and Permanent Collections: Henry Glyde passed away in Victoria at 91, leaving behind a legacy immortalized in institutions such as the National Gallery of Canada and the Glenbow Museum. His work, celebrated for its allegorical themes and unique stylistic approach, remains a testament to his profound connection with Western Canada's landscapes and culture.

 

Conclusion

Henry George Glyde's life and work resonate deeply within the realms of Canadian art and education. Through his teaching, leadership, and artistic creation, Glyde played a pivotal role in shaping the artistic identity of Alberta and the broader Canadian art scene, ensuring his enduring legacy as a foundational figure in Western Canada's cultural history.