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Frederic Marlett Bell-Smith
English Canadian, 1846-1923

Frederic Marlett Bell-Smith English Canadian, 1846-1923

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Open a larger version of the following image in a popup: Frederic Marlett Bell-Smith, Sun's Last Kiss, c 1890
Open a larger version of the following image in a popup: Frederic Marlett Bell-Smith, Sun's Last Kiss, c 1890
Open a larger version of the following image in a popup: Frederic Marlett Bell-Smith, Sun's Last Kiss, c 1890

Frederic Marlett Bell-Smith English Canadian, 1846-1923

Sun's Last Kiss, c 1890
oil on board
5.25 x 9 in
signed bottom left
CAD 4,950.00
Frederic Marlett Bell-Smith, Sun's Last Kiss, c 1890
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Frederic Marlett Bell-Smith, Sun's Last Kiss, c 1890
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Further images

  • (View a larger image of thumbnail 1 ) Frederic Marlett Bell-Smith, Low Tide, Bay of Fundy, c 1890
  • (View a larger image of thumbnail 2 ) Frederic Marlett Bell-Smith, Low Tide, Bay of Fundy, c 1890
  • (View a larger image of thumbnail 3 ) Frederic Marlett Bell-Smith, Low Tide, Bay of Fundy, c 1890
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'Sun's Last Kiss,' circa 1890, is an oil on board seascape by Frederic Marlett Bell-Smith, modest in size at 5.25 x 9 inches, with the artist’s signature adorning the bottom...
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"Sun's Last Kiss," circa 1890, is an oil on board seascape by Frederic Marlett Bell-Smith, modest in size at 5.25 x 9 inches, with the artist’s signature adorning the bottom left corner. This work encapsulates the volatile beauty of the sea at a moment when the day's final light graces the water.

Bell-Smith's mastery of maritime scenes is evident in the dynamic depiction of the churning ocean. The sea's power is captured in the stark contrast between the dark, rugged rocks and the frothy white of the waves crashing against them. The painting vibrates with the sea’s relentless movement, as each brushstroke conveys the swirling water's rhythm and the spray of the surf.

Above this natural tumult, the sky transitions from the rich blues of the upper atmosphere to the soft, warm hues where the horizon meets the sea, suggesting the sun’s fleeting caress. Seagulls dot the sky, their white forms stark against the colors of the twilight, adding life and motion to the scene.

This painting is a testament to the fleeting moments of beauty that occur at the juncture of day and night. It’s a visual poem to the day's end, where the sun’s last kiss upon the ocean is a transient, yet eternally captivating spectacle. Bell-Smith's work invites contemplation, not only of the natural world's beauty but also of its enduring cycles and the ephemeral moments that mark the passing of time.

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Provenance

- Heffel Fine Art, Vancouver
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