Late Autumn Light, Pointe au Baril (1970) by John Angus Palmer is a compelling landscape painting that captures the raw beauty and quiet isolation of Georgian Bay, specifically the iconic shoreline of Pointe au Baril in Ontario, Canada. Known for his sensitive portrayals of the Canadian wilderness, Palmer depicts a rocky island crowned with wind-shaped pine trees—classic features of the Canadian Shield. Using thick, textured brushstrokes, he conveys the rough surfaces of the rocks and the organic movement of the vegetation. The painting's palette leans into earthy tones and cool greys, with touches of soft green and muted blues that evoke the clarity and stillness of the autumn light over the bay.

Late Autumn Light, Pointe au Baril situates Palmer within a distinguished lineage of Canadian artists drawn to the Georgian Bay region, including A.Y. Jackson, Franklin Carmichael, Tom Thomson, and Arthur Lismer—all of whom painted the same rugged terrain. Like these members of the Group of Seven, Palmer conveys not just a landscape, but a deep emotional connection to place. More contemporary painters such as John Hartman have also explored this area, extending its artistic legacy well into the present.

Palmer’s composition captures the essence of seasonal transition—where light fades early, colours deepen, and nature seems both enduring and vulnerable. Late Autumn Light, Pointe au Baril is a testament to Palmer’s ability to render both the physical details and the spirit of northern Ontario. The painting invites viewers to reflect on the enduring beauty of Canada's wilderness and its long-standing role in shaping the identity of Canadian art. This piece measures 10 x 12 inches and is signed on the bottom right.