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Frederick Challener
English Canadian, 1869-1959

Frederick Challener English Canadian, 1869-1959

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Open a larger version of the following image in a popup: Frederick Challener, A Glowing Hearth, c 1890
Open a larger version of the following image in a popup: Frederick Challener, A Glowing Hearth, c 1890
Open a larger version of the following image in a popup: Frederick Challener, A Glowing Hearth, c 1890

Frederick Challener English Canadian, 1869-1959

A Glowing Hearth, c 1890
oil on board
5 x 4 in
signed bottom right
CAD 1,850.00
Frederick Challener, A Glowing Hearth, c 1890
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Frederick Challener, A Glowing Hearth, c 1890
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Further images

  • (View a larger image of thumbnail 1 ) Frederick Challener, Woman by River's Edge, c 1900
  • (View a larger image of thumbnail 2 ) Frederick Challener, Woman by River's Edge, c 1900
  • (View a larger image of thumbnail 3 ) Frederick Challener, Woman by River's Edge, c 1900
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Frederick Sproston Challener, A Glowing Hearth, presents an intimate, low-lit interior centred on the quiet warmth of a fire. The composition is deliberately dark and enclosed, with deep browns, umbers,...
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Frederick Sproston Challener, A Glowing Hearth, presents an intimate, low-lit interior centred on the quiet warmth of a fire. The composition is deliberately dark and enclosed, with deep browns, umbers, and blacks dominating the surrounding space, allowing the hearth to emerge as the emotional and visual core of the painting.



At the centre, glowing embers and small tongues of flame are rendered with thick, expressive strokes of red, orange, and ochre. These warm notes punctuate the darkness and suggest both heat and movement, contrasting strongly with the subdued, shadowy interior. The firelight appears to flicker outward, subtly illuminating nearby forms while leaving much of the room deliberately indistinct.



Challener’s handling is painterly and atmospheric, with visible brushwork and layered pigment creating a sense of depth and immediacy. Details are suggested rather than defined, reinforcing the mood of quiet solitude and reflection. The overall effect is contemplative and intimate, capturing not the literal description of a room, but the feeling of warmth, stillness, and shelter evoked by a glowing hearth in an otherwise darkened space.

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Provenance

- Ritchie’s, Toronto, 1994
- Private Collection, Toronto

Exhibitions

- “Home Truths”, The Robert McLaughlin Gallery, Oshawa, 1998

Literature

- Joan Murray, “Home Truths”, Toronto, 1997, reproduced page 139
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