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Frederick Challener
English Canadian, 1869-1959

Frederick Challener English Canadian, 1869-1959

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Open a larger version of the following image in a popup: Frederick Challener, Church in the Valley, 1894
Open a larger version of the following image in a popup: Frederick Challener, Church in the Valley, 1894
Open a larger version of the following image in a popup: Frederick Challener, Church in the Valley, 1894

Frederick Challener English Canadian, 1869-1959

Church in the Valley, 1894
oil on board
10.25 x 8.25 in
signed and dated bottom right
CAD 1,950.00
Frederick Challener, Church in the Valley, 1894
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Frederick Challener, Church in the Valley, 1894
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Further images

  • (View a larger image of thumbnail 1 ) Frederick Challener, Woman by River's Edge, c 1900
  • (View a larger image of thumbnail 2 ) Frederick Challener, Woman by River's Edge, c 1900
  • (View a larger image of thumbnail 3 ) Frederick Challener, Woman by River's Edge, c 1900
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Frederick Sproston Challener’s Church in the Valley (1894), an oil on board signed and dated bottom right, presents a peaceful rural scene with a church nestled gently within a valley....
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Frederick Sproston Challener’s Church in the Valley (1894), an oil on board signed and dated bottom right, presents a peaceful rural scene with a church nestled gently within a valley. 


Frederick Sproston Challener (1869–1959) was an English-born Canadian painter, muralist, and educator whose career combined public decoration with a rich body of easel paintings, watercolours, drawings, and commercial work. Born in Whetstone, Middlesex, he moved to Canada as a child and grew up in Toronto, where his artistic promise was recognized early and supported through studies at the Ontario School of Art and the Toronto Art Students’ League. He later studied privately with George Agnew Reid, a lifelong friend and mentor, and worked initially as a newspaper artist before embarking on a prolific career as both painter and muralist.




Challener’s work extended far beyond intimate landscapes like Church in the Valley. After travelling in Europe and the Middle East in the late 1890s, he became one of Canada’s leading mural decorators, creating large commissions for public and commercial spaces including City Hall in Toronto, hotels such as Fort Rouillé in the King Edward Hotel, and theatres like the Royal Alexandra Theatre. Alongside his mural practice, he continued producing easel paintings in a realistic and often romantic style, taught at the Ontario College of Art for many years, and helped shape Canadian art through involvement with groups such as the Ontario Society of Artists and the Royal Canadian Academy of Arts. His work is held in major public collections including the National Gallery of Canada and the Art Gallery of Ontario.

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Provenance

- signed on reverse with RCA designation and Toronto, Canada
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